Lives, social products, blow-out of the cosmic bubble, first pioneers and beneficiaries of the short play industry.
The viewer who’s been chasing the wind has finally met his white knight – the short play.
On the way to the short play business, the viewers act with great style. With one of its works, it has shaped the short play industry and achieved its own profit growth: researched the boom, with more than 10 bulk-to-batters; infrequent, the Poker Street show recognized the people and returned to business from the end; and large-scale investment in the market share, even if the show did not make money, but it was good for the company ‘ s financial paper.
Men pay to sink, to follow current events, to play the best of the women’s show… Showers make short plays, and I’ll give whatever they want to see in a market. Live genes allow the viewers to wipe their sides while they are doing the short play, to keep the user in their heart, who used to use real silver and real silver, and who now has long-time support.
On 29 August, the exhibitor published a 205-half-year newspaper, during the reporting period, it received 2,678 million, down 24.2 per cent from 3.533 billion during the same period of the previous year; the adjusted net profit was 281 million from the same period, up 92 per cent from 146 million during the previous year.
Now, the short play has become the home of the exhibitors. Today, together, we are replaying the short play business as a way of looking at the core competencies needed to make a short play.
Short play business: go first, then blow
In 2022, the exhibitors began to make short plays while nurturing their own industrial chains, while developing their special characteristics of investment and understanding of human needs.
After five years of development, the exhibitors have built their own industry-wide company, including through equity investments.
Skywatch shows that the viewers share the capital, the quick-start, the 40 per cent share of the two short play platforms, and the fully-funded subsidiary, the Heinama Network Technology Corporation, which is the main force behind the short play.
In addition, it is true that Sian is in control of people who hold more than 70 per cent of his share. Mak Wooyang, the U.S. control, is also the largest shareholder in Zhengzhou, holding 51 per cent of its shares.
Thus, it can also be understood as a fully funded production company.
The producers are vibrant in Sian, and the triads are in Zhengzhou, where labour-intensive, low-cost, short play can be quick and cheap and can be replicated in bulk.
Fast-start headquarters in Guangzhou. Starting with a few years of poor diet and birth control throughout the country, and with a reward for social live broadcasts, Guangzhou business owners hit a direct, direct demand.
The emphasis is also on value for money when it comes to beauty and short play.
The Hangzhou short play producer Orange once said about the method of doing short play business in the U.S., “When their authors see the explosive script, they quickly decipher the explosive structure, and find a writer to write 10 similar scripts and film in bulk. It doesn’t matter if one goes out, one goes back. In some cases, they can’t buy a copyright and shoot first. Find the door and pay for it.”
The first step in making money is to do it first. The subject matter tactics + retrofits are already on the path to success.
Data from the DataEye2025H1 top platform list show that fast-onset and bright-on-earth worlds rank eighth and twelfth, respectively. That is to say, the number of hits on the screens of the cosmic system is 328, the number of short plays is 217, and the cumulative heat is about 700 million, which is one of the central pillars of the short play industry.
The secret to making a short play.
“You can say they’re not good, but you have to admire people for making money.”
When it comes to the short play business of the mammoth, the oranges admire it.
On the subject of the short play, Migwang Shine is very good at capturing current social emotions, at filming the dirt-flavored shorts of my aunt’s eyes, and at making a smile on the hearts of people in the city.
In mid-September of last year, Migwang-sama and Samsung jointly produced the “Girl-in-law’s Exploitation” series, with the “Face-to-Face-to-Face” feature, which was the top of the list, giving a lot of viewers a direct view.
The main scene in the play was basically done in a hotel, with the core scenes running around the daughter-in-law, with the current content, the daughter-in-law trying to get married, the daughter-in-law catching the third child and the daughter-in-law showing the truth, which could well hit the mind of the middle-aged audience and give the audience emotional value.
The show was 35 episodes, the first 30 of which were completed in a reception hall, with the main thrust of the scenes relying on lines. It’s supposed to be three days or so, and it’s all new, it’s not expensive, and it’s an example of how beautiful and beautiful the world is.
In the current short play market, the companies that are able to study the money, imitate the film and launch it quickly, still have money to earn. Short play is small, market-rich and micro-innovated, and it has its own audience.
In June this year, Mi-gwang started his own account with a short play, “My beautiful CEO begged me to return to office after the layoffs,” and 800,000 people went after him when the fire broke out. The main male character, “The remaining winter”, was poached by the rival company, the rice conglomerate, while the car blew up in a car for 30 seconds while being unmanned. Audiences are high: the name and the story are clearly insinuated into the rest of China and Mi SU7. The play is a testament to the reality of the short play and its present nature, the so-called first- and second-line population, whose favorite is to eat a melon.
The director of the short play, the farmer, has been working with the fast-start collaboration for six months. He pointed out that “The quick start is now mainly an emotional short play, which is designed to analyse the popular content of the market, and will be written in 10 days, five days, 10 days to cut the wire, and 30-40 times. The cut-off is free of charge, low-cost, low-income, high-cost.
03, never forget the four principles.
In 2014, Yusheng, the founder of the screening, made a music product, and decided to transform, “Where the money is close, where the user is best paid”.
So, what’s close to money? He visited more than 10 companies in the country and abroad, including Google, Amazon, Tunnel, 100 degrees and Ali, and found four dimensions essential. First, the direction chosen should be large enough to represent the future. Secondly, to avoid the BAT, we can kill and break out. Thirdly, it can form an ecological closed ring, and it can make its own money to feed itself. Fourth, self-emergence or self-dissemination.
Eleven years have passed, and Yusheng has been following this principle, often chasing the wind and looking for new entrepreneurship tracks.
In 2015, the viewer started a live broadcast, which addressed the social needs of countless people and gave birth to new personalities, such as women anchors and first cousins, who earned money.
However, the viewers are broadcast live, more in the underwater industry, and commercial liquidity is often at a premium, unlighted, unpopular, and on the market they make a steady but small amount of money.
In 2018, the viewers launched the social product “no” and in 2019, the viewers acquired the social product “no” and launched the online match-up APP “no” .
It’s been a long time. The products made by the exhibitors, although poorly publicized and alive, have been on the air. In 2021, the exhibitors met with the short play, and the same play was played, and they were finally able to make a big show in the short play industry.
They have a long-term focus on social products and are good at capturing the basic needs of humanity, and listed companies can play with capital. The viewer was born to be a good boy for a paid short play. From 2022 onwards, the viewers launched a series of income-generating works such as ” No Higher ” , ” Kogur ” . In 2023, new content service lines were added to the viewers, generating 472 million revenues for companies.
Data from the screening show that, as of 2025, a total of 1,200 short plays had been launched by viewers. In the first half of 2025, 590 million short operas were generated by viewers, and the share of total receipts increased to 22 per cent.
The effort has been successful, the viewers have not forgotten, and they have finally met the form of money-making content appropriate to it, the principle being the previous four articles:1 and the short play has broad development prospects and represents future trends;
As of 2024, the giants had not ended up in the short play;
3. The short play is small, directed to the C-end, is quick to pay back and can make a living;
4. Short dramas can be like short video and have viral transmission characteristics.
It is no accident to observe the path of short play development of the viewers.
From the “close to money” logic of the time of live broadcasting to the precision of entering the short play track, the viewers always respond quickly and produce efficiently around the needs of users and market sentiment. It does not seek the incidental success of a single explosive, but rather establishes a short-entrepreneural ecosystem of continuous profitability through a systematic matrix of content, scalable production and accurate investment.
Although the content dimension is often subject to “earth” or “painting”, its profound understanding of the downside market, its strict control over costs and benefits, and the precision capture of the spread of emotions constitute its powerful commercialization.
Short operas are not just a good business for their viewers, but a successful validation of their core genes — fast-testing, determined implementation, respect for results. In the future, with increased competition and greater regulation in the industry, the ability of the viewers to find a balance between “demand” and “quite”, “windrows” and “building barriers” will be key to their ability to move from “massive” to “sharp stock prices”. After all, capital prefers something that sings.